Untitled MH601
2018
Pigments, varnish on canvas
60 x 80 cm
Unique
Untitled MH605
2018
Pigments, varnish on canvas
100 x 150 cm
Unique
Untitled MH501
2018
Pigments, varnish on canvas
60 x 80 cm
Unique
Untitled MH606
2018
Pigments, varnish on canvas
Ø 125 cm
Unique
Untitled MH604
2018
Pigments, varnish on canvas
120 x 120 cm
Unique
Untitled MH402
2018
Pigments, varnish on canvas
100 x 100 cm
Unique
Untitled MH305 D&N
2017
Pigments, varnish on canvas
138 x 160 cm
Unique
Untitled MH302
2017
Pigments, varnish on canvas
110 x 160 cm
Unique
Untitled MH216
2015
Pigments, varnish on canvas
130 x 130 cm
Unique
Untitled MH205
2015
Pigments, varnish on canvas
100 x 100 cm
Unique
Untitled MH701
2020
Pigments, varnish on canvas
100 x 120 cm
Unique
Untitled MH704
2020
Pigments, varnish on canvas
100 x 100 cm
Unique
Untitled MH706
2020
Pigments, varnish on canvas
90 x 120 cm
Unique
Untitled MH707
2020
Pigments, varnish on canvas
100 x 120 cm
Unique
Untitled MH708
2020
Pigments, varnish on canvas
90 x 120 cm
Unique
Untitled MH709
2020
Pigments, varnish on canvas
100 x 100 cm
Unique
Untitled MH711
2020
Pigments, varnish on canvas
138 x 180 cm
Unique
Untitled MH714
2020
Pigments, varnish on canvas
100 x 120 cm
Unique
Untitled MH712
2020
Pigments, varnish on canvas
Ø 100 cm
Unique
Untitled MH713
2020
Pigments, varnish on canvas
Ø 100 cm
Unique
Untitled MH716
2020
Pigments, varnish on canvas
Ø 100 cm
Unique
BIOGRAPHIE
Milan Houser is born 1971. His talent was awarded by many prices, including the prestigious Stipendium Pollock-Krasner Foundation in 2005. His Art is showcased at the Prague National Gallery, and many private and confidential Collections in Czech Republic, Italy, Germany and USA.
Milan Houser doesn’t paint in the true sense of the word. He pours coloured masses onto the horizontal canvas, which he divides into specific sections. They are called “chambers”. They do not form a completely accurate border, but the paint rather flows over them. The colors push out and flood in a slow sludge, with a streamy and sticky attraction. It then creates a new life to the painting, arising from the mixture, and the result is a large and non-predestined appearance. The result is a painting without gaps, equally dense and viscous, which gradually gets stuck and condensed, boggled down, into a soft homogeneity. The viewer is confronted with a painting, simultaneously elastic stunningly colourful. He is part of Marciano‘s Galleries artists’ selection.
