ARMAN

Arman Violon roto Galerie Mickael Marciano

Violon Roto


Bronze
75 x 25 x 18 cm
Edition of 100

Arman Violon spirale Galerie Mickael Marciano

Violon Spirale


Bronze
72 x 20 x 15 cm
Edition of 100

Arman Cascade de luths Galerie Mickael Marciano

Cascades de Luths


Bronze
67 x 70 x 46 cm
Edition of 8

Arman Panthere jazzy Galerie Mickael Marciano

Panthere Jazzy


Bronze
71 x 41 x 23 cm
Edition of 99

Arman Cascade de violon Galerie Mickael Marciano

Cascades de Violons


Bronze
72 x 36 x 43 cm
Edition of 8

Arman ccumulation de trompettes Galerie Mickael Marciano

Accumulation de trompettes


Bronze
67 x 33 x 40 cm
Edition of 8


Guitare Portugaise


Bronze
90 x 31 x 10 cm
Edition of 8


Aqua Frago


Bronze
74 x 42 x 10 cm
Edition of 20


Pizzaiola


Bronze
65 x 22 x 15 cm
Edition of 99


Alto Prisme


Bronze
68 x 20 x 9 cm
Edition of 99

Arman Artiste | Sliced figure with cello | Nouveau Réalisme Bronze sculpture violon surréalisme | Galerie Mickaël Marciano Place des Vosges Paris.

Sliced figure with Cello


Bronze
138 x 55 x 41 cm
Edition of 8

Arman Artist | Bougeoir aux cuillères | doré gold New realism école de Nice | Galerie Mickaël Marciano | Paris.

Bougeoir aux cuillères


Bronze
35 x 45 x 32 cm
Edition of 100

ARMAN Le Gambit Résine (42 x 27 x 27 cm)

Le Gambit


Resin
42 x 27 x 27 cm
Edition of 70


Violon Venise


Bronze
70 x 30 x 12 cm
Edition of 99

Arman Ukulélé Galerie Mickael Marciano

Ukulele


Bonze
29 x 38 x 34 cm
Edition of 99

ARMAN

BIOGRAPHIE

Armand Fernandez was born in Nice in 1928. The son of an antique dealer and an amateur cellist, he was irresistibly drawn to painting, drawing, and music. After studying at the École Nationale des Arts Décoratifs in Nice, he continued his education in Art History at the École du Louvre.

In 1960, Arman signed the manifesto of “Nouveau Réalisme,” a movement he founded with friends like Yves Klein, Martial Raysse, and Jean Tinguely. This manifesto advocated for “new perceptual approaches to reality” and marked a turning point in his career. Arman then focused on the sentimental relationship we have with objects, as well as their accumulation and destruction. This interest is notably reflected in his series of burnt violins.

His artistic approach involved elevating everyday objects, often banal, to the status of art. A prolific and creative artist of the late 20th century, Arman explored various fields of creation, from drawings and multiples to monumental sculptures and his famous accumulations. His work is included in the collections of prestigious museums such as the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris.

Although he passed away in 2005, Arman’s work continues to live on thanks to the efforts of his wife Corice Canton and the Arman P. Arman Trust, remaining a significant reference in Art History.

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